". . . a brush with nature"

I am sure you have seen the completed works of many artists, but have you ever wondered what goes on behind the scenes? Where (or how) does the artist paint that painting? What tools does she (or he) use? What else is involved beyond the completion of the finished piece? Well, here we go with a look into my own personal working studio. In many ways it may be like the studios of other artists, but in just as many ways I am quite sure it is unique. Even with that being said, this will give you a glimpse behind the scenes – into the world of making art.

The Studio

Since I am an artist that works in multiple mediums my studio is set up to accommodate all the types of work I like to create. I have a wonderful antique drafting table where I work on my pastel paintings, as well as several easels for my acrylic pieces. The smaller of these easels also serves as the set-up my husband uses when photographing my completed paintings for cataloging, submitting to shows, updating my website, etc. In addition, I have two tool boxes where I house my supplies. Acrylics in one and pastels in the other. In the back there is a flat table used for framing, boxing, shipping and the like.

The Tools 

I prefer at least the “feel” of organization in my studio. My pastels and pencils are all in one toolbox next to the drafting table. Sanded pastel paper in different sizes is also within easy reach. My paints, brushes, canvases etc. are next to my easels. All framing, boxing and shipping tools and equipment are stored in the back of the studio near the framing table or on a shelf underneath it. It is a straightforward system, but one that works for me. When photographing completed paintings, the smaller easel is simply moved to the middle of the room. Everything can be handled easily and quickly in one great space!

Before and After 

Much preparation work goes on beyond the actual creating of a piece of art. In some instances, surfaces need to be primed, canvas needs to be stretched, under-painting needs to be done, cradled edges need to be stained . . . Well, you get the picture. I am always anxious to get into the real “meat” of the project, but you have to start out with a good foundation, so the beginnings are important.

Just as important are the final touches. For example, deciding which molding works with a painting to compliment it rather than overpower the piece. Should I matt this pastel or simply frame it using a spacer? There are numerous decisions I make as an artist before ever presenting my work in a show or gallery setting.

I hope you have enjoyed this brief look into my own studio and the makings of art as I do it. It is a passion and a business for me.

I am so fortunate to be able to pursue this dream!