". . . a brush with nature"

Although framing your work is the last step toward the completion of your masterpiece, it is by no means less important than quality materials or an inspired theme. The choice of the right frame (and matting, if your piece is created on paper) can make or break your finished painting. Matting and framing, when chosen successfully, should perfectly compliment your art and work in concert with it - never against it. It should never over power the piece or draw the viewer's attention away from the art itself.

The framing and art should work together "as one." This being said, it is important to select a moulding that "fits" the theme of the painting you have created. It should not be too rustic nor too ornate depending on the subject of the painting itself. Let your style and your work be your guide.

Develop a good relationship with your local framer. Matting and framing should not only be done in a professional manner to better present your work, but by using proper archival materials the piece will be better able to stand the test of time. Trust the framer's professional advice as they offer a few suggestions, then take the time to actually try out different mouldings (and mats if working in watercolor or pastels) to see how each looks with your specific painting. You'll be amazed at what a difference a frame makes.

Making good choices on the final presentation of your art may lead to success with future gallery representation, in juried shows or the potential sale of your work. A professional "finish" in framing is well worth the extra time and investment in the long run.

Here is a link to another interesting blog on framing -

 http://www.reddotblog.com/wordpress/index.php/framing-art/

The frame on "Woodland Picnic" completes the woodsy feel of the piece . . . working with it in a positive way.